I’m interested in how we experience and make sense of the worlds we live in—worlds shaped by nature, technology, and our personal histories. My work looks at how these different realities overlap and build up over time, forming layered spaces filled with memory, emotion, and experience. 

 

Lately I find myself noticing the shifting rhythms of the natural world more and more. Floods, fires, and unpredictable weather seem to be becoming part of a new normal. Seasons feel slightly out of step: spring arrives earlier, midsummer is interrupted by cold fronts, and long droughts can suddenly turn into floods. Many of my works move through cycles of loss and renewal, grief and transformation, silence and sound. They reflect on how fragile the worlds we build can be, but also on our ability to keep imagining and reshaping them, even in times of ecological stress and technological overload. Ideas of utopia, dystopia, and other possible worlds often run through my thinking.

​

I’m known for creating textured, layered works that explore ideas of place, time, and memory. My practice moves across different media, including painting, ink, mixed media, collage, digital print, video, and sound. Colour plays an important role in the work. Emerald green often points to idealised spaces—both natural landscapes and virtual worlds, while red suggests the body, fire, and transformation. Other colours like ash grey, sky blue, stone black, sulphur yellow, smoky white, silver, and gold hint at cycles of change, decay, and renewal.

​

My works are often arranged as sets, triptychs, or mirrored compositions, reflecting my interest in repetition, cycles, and transformation.